In photography, it is customary to value the final result—the image itself, its mood, emotion, or a fleeting, elusive feeling of recognition. Technical solutions and behind-the-scenes mechanics usually remain invisible to the viewer. Yet, every shot possesses its own origin story, beginning with the artist’s choice of the specific tool through which to observe the world. Photographic artist Inga Dinga’s exhibition ‘Milk Powder’ invites viewers to pull back the curtain on this exact behind-the-scenes aspect of the medium. The display presents a dynamic dialogue between a dozen cameras and the photographs captured with them, placing the specific tool alongside each resulting work. Rather than tracing a linear evolution of technology, the exhibited cameras reveal a rich diversity of forms and artistic experiences. Cult classics, professional rigs, toy cameras, and handmade tools converge; among them are the massive, ultra-precise Mamiya RB67, the elegant folding Polaroid SX-70, the palm-sized Rollei 35 LED, a unique custom-built body paired with a Zodiak-8 fisheye lens, the Lithuanian-made MO pinhole camera, the cult-favorite Diana F+, and even an old Sony smartphone. The exhibition’s title piece Milk Powder is a minimalist landscape in which the ripple of pale blue water is enveloped by a thick blanket of white fog. This serene, atmospheric mood anchors the theme of the entire show. Here, Milk Powder functions as a metaphor—a description of a non-existent, semi-dreamlike, and surreal reality.
About the Artist: Inga Dinga is a Vilnius-based photographer who focuses primarily on analogue and pinhole photography, experimental image-making techniques, and multi-layered narratives balancing between reality and imagination. Actively participating in both Lithuanian and international exhibitions, ‘Milk Powder’ marks her ninth solo showcase. Her work has been widely published and exhibited in Italy, Germany, Spain, Portugal, the USA, Argentina, Australia, and beyond. In 2013, Dinga co-founded the Lithuanian Analogue Photography Association (LAFA), and in 2019, she became a member of the Press Photographers Club of the Lithuanian Journalists’ Union.
Darbo laikas VGS metu:
IV-VI 11-19.30 val., VII 12-17.00 val.
Lankymas nemokamas
AP galerija, Užupio g. 24, artimiausia stotelė UŽUPIS (11 autobusas). Artimiausia stovėjimo aikštelė yra prie Užupio g. 21. Galerijos antras aukštas pasiekiamas iš Užupio gatvės, be laiptų. Patekimas į galerijos I aukštą tik laiptais, lifto nėra.
Galerija yra šunims ir šunims vedliams draugiška.
Galerijos II aukšte yra WC patalpos, neįgaliems žmonėms tualetas pritaikytas, nėra mamos ir vaiko kambario.
Užupio g. 24, Vilnius, Jono Meko skersvėjis
www.apgalerija.lt